Tuesday 11th of December 2012 11:41:36 AM
By: Richard Flynn
A three-note voicing of Gm this month, showing that chords don't need to contain loads of notes to be effective. This shape has a nice bare perfect fifth interval between the bottom two notes and a mournful minor sixth between the top two notes. Shift down a fret then back again and you've got something akin to the Plain White T's Airplane.
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Guitar & Bass Magazine June 2013
COVER: PAUL KOSSOFF - We tell the tale of Free's tragic genius.
INTERVIEWS with six-string wizard JOE SATRIANI, DAVE KELLY and STEVE EARLE
VINTAGE: This month Lars Mullen meets Michael Warmsley and surveys a collection with Gretsch at its heart
WORKSHOPS: Learn to play like THE KINKS and JOY DIVISION
COVER: PAUL KOSSOFF - We tell the tale of Free's tragic genius.
INTERVIEWS with six-string wizard JOE SATRIANI, DAVE KELLY and STEVE EARLE
VINTAGE: This month Lars Mullen meets Michael Warmsley and surveys a collection with Gretsch at its heart
WORKSHOPS: Learn to play like THE KINKS and JOY DIVISION
